"And the majority says..."
The Polling of America
by Nikhil Naidu
10 December 2001
How many times have you heard the words, "According to a poll
done by..." or "Exit polls on this election evening show that..." or "After
a random survey of more than..."? The chances are that you have either heard
or read these types of sentences at least once in the past week. Polls are
in and they are in with a vengeance. There are many words
that are used to describe polls: accurate, concise, thoughtful, useless.
The list goes on but the one thing that is truly amazing about the poll is
the level to which it has permeated American society. Take, for example,
the previous presidential election. This election showed us the limitations
of polls but, more importantly, it showed us the level to which the American
media was dependent on polls. "Exit polls show that Gore is winning!" "But
wait! Polls of people who had yet to vote show that Bush has strong support."
Whatever! In the end, it turned out that polls counted for very little. The
fate of this nation's presidency rested on little circular pieces of paper.
Dimpled chads, pregnant chads, three-cornered chads; these were the things
that decided our election. But people continued to believe in polls. And
why not? As far as anyone was concerned, the polls were correct in doing
whatever it was they set out to do. They found out whom people were going
to vote for, whom they had voted for, or whether they were planning
to vote at all. The "hoopla" that the polls generated was enough to keep
the American public awake well into the night. And the best part, as most
people saw it, was this: polls allowed you to find out what people were thinking.
And you could do it in a way that didn't affect the outcome of the election.
Apart from there use by the national media during election time, polls are
finding a wider audience in many fields of American life. Increasingly, many
people find the practice of polling a perfectly acceptable procedure for
finding out the wants of the public. ANNOTATION
"...Some novelists are adopting the literary equivalent of
the applause-o-meter as well. The best-selling author Andrew Greeley has
used focus groups to shape his marketing campaigns, and the novelist James
Patterson has conscripted groups of test readers to analyze his books before
publication" (Kakutani 610). The two-aforementioned authors used surveys,
or similar methods, to come up with the "winning formula" of book-writing,
and who can say that they were wrong to do so? Though the critics complain
that the books that these authors write are predictable and all written in
the style, in reality, ordinary people prefer reading books written in the
same style rather than those written with artistic value in mind. The fact
that Greeley and Patterson are best-selling authors proves that point. Take
Tom Clancy and Stephen King, two authors that you are probably familiar with.
Clancy has written over the last 17 years a series of novels starring the
fictional historian, spy, and politician Jack Ryan, starting with Patriot
Games. Stephen King is noted for his horror/suspense books, most notably
Pet Semetary, It, and The Stand. Both of these authors have achieved enormous
success through use of familiar characters, situations, or writing styles.
For example, Clancy's fast-paced, action-packed books have been the base
for the three fast-paced, action-packed movies and 4 fast-paced, action-packed
computer games, all of which were huge money-makers. Similarly, Stephen King
has had his books (often filled with suspense, horror, and numerous deaths)
used as the base for some truly scary motion pictures, miniseries, or straight-to-video
movies. This can only mean that the public likes books with a distinctive
yet familiar touch.
From the world of advertising, consumer research has already
spread to Washington, where President Clinton has rarely made a move without
consulting his pollsters, and to Hollywood, where test audiences can affect
the content, pacing and tone of big-budget pictures and determine which TV
pilots get scheduled. From Hollywood it is now spreading into music theaters,
novels and journalism. (Kakutani 610)
As Kakutani describes it, polling is not only acceptable to
most Americans, it is also necessary. How would President Clinton have been
able to make changes in policy without knowing what the American public wanted?
He was, after all, the President of the United States, and was democratically
elected to that position in good faith by the American public. Americans
believed that as their President, Clinton should implement the changes that
they wished for as soon as possible. His extremely difficult job was not
only to ensure that the country was run in accordance with the wishes of
its citizens and that its policies were carried out with minimum interference,
but most importantly that the country be run efficiently. To do these things,
he needed to know the public's opinion and polling was the tool that enabled
him to know. ANNOTATION
"The result [of polling] is a ...culture wide embrace of that
old advertising slogan, 'The customer is always right'--even if that customer
has no expertise, no knowledge and no taste" (Kakutani 610). This particular
statement by Kakutani shows one potential danger of polls. Even though polls
allow for accurate gauging of the public's tastes, they also do not take
into account that the people who take the polls might not be informed enough
on the issues. For example, people who always vote for one political party
because their parents and family all vote for that party, is an inherent
weakness in the polling system, and here I speak from personal experience.
Oftentimes, when I log onto the internet, I use Netscape Navigator. Now,
on the Netscape homepage, there is often a poll of some sort. This poll usually
has 2-3 choices, and is related to some current news story. Sometimes I know
enough about the poll's subject that I can answer the quiz truthfully, but
sometimes I don't. "Whose position on campaign finance reform do you support
the most? A)McCain; B)Gore; C)Bush." This was a poll that I remember encountering
just before McCain dropped out of the the presidential race last October.
My initial thought was "Huh?!?" I had no clue which choice to pick, and so
I did what many people do. I clicked a choice at random, and I was taken
to a page which showed me the results of the poll. By clicking one of the
choices, I had, effectively, cheated. I had chosen one of the choices, despite
my total lack of knowledge on the topic. While this example may seem petty
and not at all important, let us consider the larger picture for a minute.
Presumably, I was not the only person that day who saw the poll and did
not know what my opinion was on the issue of campaign finance reform. Now,
out of all the people in my position, it is safe to assume that a percentage
of them also voted just to see the results. Considering that each of the
polls on the Netscape homepage garner thousands of votes, the
consequences of these "mis-votes" are huge. Hundreds of people, if not thousands,
of people are voting for no other reason than to see the results and in doing
so, are likely to be tampering with the polls' results on a huge scale. While
an increasing number of people find the practice of polling perfectly acceptable,
it must take into account the level of information available to the public
to be truly effective. ANNOTATION
"[James] Patterson recently changed
the ending of his new thriller, Cat & Mouse, in response to reader feedback;
the novel reached No.2 on the
Times best-seller list. This shameless second-guessing is not simply a money
grubbing attempt to give audiences what they...want. It also represents the
abdication by creative types of their artistic freedom and judgment" (Kakutani
610). The situation that Kakutani has outlined here is striking. Since when
did authors start rewriting books so that they would make more money? The
main reason that people become writers is because they have something to
say to others, and they want a log of people to hear it, regardless of whether
or not they like what they hear. Now that polls are being used to determine
how books should be written, this basic reason for writing is in danger of
vanishing. What is the point of asking people how you should change your
written pieces? The result will inevitably be that any book that is written,
will be bland and uninteresting. Patterson might have made a lot of money,
and gained a lot of prestige, through the use of "reader feedback," but he
also endangered the very reason why books exist. One book that I have read
and re-read many times during my adolescence in Dune by Frank Herbert. Dune is
a fantastic book, in which Herbert managed to create an entire world with
a distinct ecology, a realistic indigenous people, and a carefully crafted
storyline that twisted its way to an epic conclusion. After reading Kakutani's
article, I find it hard to see Herbert writing Dune using the methods
of the new millennium. The book relies heavily on the Arabic language, as
can
be clearly seen by taking a peek into the "Terminology of the Imperium" section
at the back of the book. Throughout this section, there are at least 76 words
that one can see are either derived from or are actual words from Arabic,
for example, "jihad," "bourka," "aql," and "bi-la kaifa." One of the sub-characters
in the book even has an Arabic first name, Feyd Rautha. It is probably for
the best that Frank Herbert did not live to see this new age of writing-by-consensus.
If he had been able to present Dune to a focus group, the following
suggestions would probably have been made: 1)Too much Middle-eastern influences.
Try to integrate a more Western feel. 2)Give the characters new names. Leto,
Thufir, Gurney, and Feyd are weird. 3)Make the damned thing shorter. We have
no patience for books that are 562 pages long. And cut out the appendices.
4)Why is it written in a small print? Herbert would have turned in his grave.
Polling is used for finding out people's opinions, and it is an acceptable
procedure for this task, as long as it takes into account the level of information
available to the public, and recognizes the hidden danger of a possible loss
of creativity. ANNOTATION
"A 20-year old veteran of the movie
business, [Garth] Drabinsky is methodically transferring Hollywood practices
to the stage...For Ragtime,
he hired a polling firm to help calibrate audience reactions. The show's
book eventually went through some 20 drafts." This instance is an example
of how polling is starting to be used as the ultimate decision-maker in artistic
fields. The whole allure of theater productions is that people have a chance
to see someone else's vision. If theater productions become something that
everyone wants to see, then there will no longer be any way that audiences
will have their views challenged. Take the play based on Ken Kesey's book,
One Flew Over the Cuckoo's Nest. Kesey crafted a text that was both deep
and meaningful. Even if one just reads the text, one can almost feel the
power of some of the words that are written. The entire play was set in a
hospital for the mentally ill, and focused on the conflict between one of
the inmates, and the head nurse. It was a play that challenged its audience
to think deeper about many things in life. If Kesey had presented his text
or had the director of the play presented his script to a focus group, it
would have been torn apart for being so far from the "mainstream." If more
people start following Drabinsky's method of producing plays, Broadway will
soon become synonymous with boredom. Plays will no longer be the works of
an individual, created over many days and nights of effort, with no assurances
of monetary success at the other end. Instead they will become copies of
each other. They will deal with the themes that the American public is comfortable
with: live, happiness, freedom, wealth. And nearly every play, if not all
plays, will be crafted not in a writer's head, but by the opinions of members
of society, comfortable in seeing what they want to see. While the practice
of polling, so long as it takes into account the level of information available
to the public and recognizes the hidden danger of a possible loss of creativity,
is an acceptable procedure for finding out public opinion, it often forms
the sole basis for decision-making. This misuse of the polling procedure
is increasing the danger of making original artistic productions no longer
creative. ANNOTATION
If you have seen any of the following movies, clap your hands:
The Rock, Gone in 60 Seconds, Crimson Tide or Pearl
Harbor. All of the above
movies were produced by the same man: Jerry Bruckhiemer. Bruckhiemer has
mastered the art of making action movies, with the emphasis on action. All
of the movies above are huge moneymakers, all of them star high-profile actors,
and all of them place little emphasis on story. Instead they prefer to deliver
the things that the moviegoers crave. They are filled with explosions, plot
twists and endings that are either happy or hopeful. There are no loose ends
for the audience to ponder and everything is wrapped up. They are the last
word in art created focus groups and catered to the masses. If the misuse
of the polling apparatus is not curbed, the future looks bleak. Soon, every
movie, every play, and every book will seem like clones of each other. ANNOTATION
Work Cited
Kakutani, M. Portrait of the Artist as Focus Group. In L.H.
Peterson, J.C. Brereton, & J.E. Hartman (10th ed.), The Norton Reader. New
York: W.W. Norton & Company Inc (609-611).
ANNOTATIONS:
ANNOTATION 1: The first paragraph
introduces the topic, polling, with an example that everyone is familiar
with: polling in a presidential
election. This example also establishes the writer's initial thesis, that
"many people find the practice of polling a perfectly acceptable procedure
for finding out the wants of the public." While the writer does not impose
his own view towards this statement in this paragraph, it will be clear as
the essay proceeds. Read Chapter 10 in Writing Analytically on Introductions
(191-200) and remember that the "introduction should not and cannot preview
a paper's entire interpretation or argument." [return to essay]
ANNOTATION 2: Throughout the essay
the writer handles his primary source, Kakutani's article in the Norton Reader,
effectively. His
strategy is to introduce a direct quote from the primary source right at
the beginning of the paragraph. While this strategy is not always the best
way to handle direct quotes, the writer does very well to establish the point
of the quote and apply it in his own analysis. Here the writer establishes
a positive aspect of polling, that it delivers and confirms what the public
wants to see. He uses popular writers, Clancy and King, and their popular
texts. He also uses President Clinton and his disposition for using polls
to gauge the public. [return to essay]
ANNOTATION 3: In this paragraph the
writer introduces complicating evidence, that there is a danger to the practice
of polling: the public may
not always be informed. This complicating evidence is suggested in Kakutani's
article. The writer provides a personal experience example to establish it
in his own analysis. The last sentence of the paragraph is the first instance
in the essay of an evolved thesis. [return to essay]
ANNOTATION 4: The writer continues
to develop the complicating evidence of the previous paragraph. In this paragraph
he shows what can happen
if the practice of polling is taken seriously and used exclusively by writers.
He applies a point by Kakutani to his own example, Herbert's Dune. The last
sentence of the paragraph is the second evolved version of the thesis. One
can begin to predict what the writer's own views about the practice of polling
will be. [return to essay]
ANNOTATION 5: In this paragraph,
writer pursues the complicating evidence to the point of creating more depth.
His application of the complicating
evidence to a play based on Kesey's novel sets up his final version of the
evolved thesis--which is stated in the last two sentences of the paragraph.
Notice how this evolved thesis is a qualification/restriction of the initial
thesis. [return to essay]
ANNOTATION 6: In the concluding paragraph
the writer ends by applying his evolved thesis to movies by Bruckhiemer.
This final application
of the evolved thesis emphasizes the writer's views about polling and it
concisely applies 3 effective strategies for conclusions mentioned in WA,
Chap 10: judgment, culmination, send-off.[return to
essay]