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Email: dunnron@deanza.edu
Phone: 408-864-8818
Office: A34 Office Hours: Tues/Thurs 1:30-2:20; Friday 11:00-11:50 Other times by appointment
Music department
Creative Arts Classical Guitar Homepage
Drumming Homepage
(also see links from other home pages)
Concert Venues and Calendars FreeRice vocabulary game--a must-visit!
Practicalcycling--share the road"Politely
taking enough space for your own safety is the heart and core of safely
cycling in traffic. You can't be safe unless you're willing to take
some space; even if you have to delay some cars. The most experienced
bicyclists politely and legally use the full lane when it’s needed, and
ride comfortably in a safe-space zone away from hazards. Doing so makes
them safer by being more visible to other drivers at driveways and
intersections, where most collisions occur. It prevents motorists from
squeezing past in narrow lanes; they simply have to wait or go around.
While a 20-30 second wait may be annoying, riding this way is the best
way to ensure safety.
This is called Cooperative Cycling (also known as Vehicular Cycling and Bicycle Driving). It is the only national standard for safe bicycling that is based upon using all the standard traffic rules to politely cooperate with other drivers...."
Classes I Teach
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Sample Home Page Introduction to Music: World Music in America| | Syllabus, Music 1C, Introduction to Music: World Music in America
Instructor: Ron Dunn Office: A34 Ron's office hours: Tues/Wed 12:30-1:20; Thurs 2:30-3:20; Friday 12:00-12:20, 3:15-3:45. Other times by appointment Phone: 408-864-8818 Email: dunnron@deanza.edu Ron's De Anza Website: http://faculty.deanza.fhda.edu/dunnron/World Music in America General Resources <!--class='section'-->
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| | | 5 January - 11 JanuaryWeek 1 This week we'll spend time getting acquainted, getting our materials together and touring the site. Be sure to read the Course Syllabus.
- Face to Face (F2F): This week I'll introduce the field of ethnomusicology, and we'll
go over the Course Description and the online component of the course.
We'll go over Catalyst, the course management software that will be
used for the class, get to know one another, and assign groups.
Note: Let's
be sure we've gone through all the working resource links and
discussion pages on your home computers so that any technical problems
can be cleared up before the course gets too far underway. It's far
easier to deal with these issues now than just before an assignment is
due.
Online Work Week 1:
- Complete your profile in Catalyst (a recent photo will help me to get to know you faster).
- Download Part I of textbook (see above).
- Download "Active Listening Tool" (see above)
- Read
- Complete Course Introduction quiz
- Participate in week 1 Discussion Forum
Discussion Forums and Resources
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| | | 12 January - 18 JanuaryWeek 2: Part 1Face to Face (part 1):
- Ironing out issues with Catalyst
- Focused and critical listening: What's important?
- Rhythm and meter
- melody--contour, range
- Texture: The "thickness" of music
Online/Homework
- Read Part 1, Chapters Two through 6: Elements of Music. Please read the online version even if you have the textbook, as there are links to examples online.
- Complete listening assignment 1 for Part 1; this is your "entrance" assignment for Week 3. Bring it with you when you come to class.
- Listening
assignments are to be downloaded, printed, and filled out by hand.
However, the assignments have links to musical examples, so they must
be on your computer screen while you work on them.
- Participate in this week's forums. See Forum Guidelines.
Discussion Forum and Resources: These forums are now closed, but you can see Ron's replies to your posts.
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| | | 19 January - 25 JanuaryWeek 3. F2F: Part 1 Conclusion. Introduction, Part 10: Latin America
- Turn in Listening Assignment 1. It is considered late and loses lots of credit if you're more than five minutes late to class.
- Final thoughts on Part 1: Chapters 2-6, Elements of Music
- Organization
principles: Form, Phrase Structure: How is "a" different than "A"? How
is "A" different than "B," and why should I care?
- Introduction to Part 10: Music of Latin America
- Lecture: The Indigenous, European, African heritage: Understanding the Slave Trade and its influence on the Americas
- What is sesquialtera, and is it contagious?
Online: Part 10:
- You will now need your own textbook. As you read the chapter, listen to musical audio and video examples through the Links and Resources page (for easy navigation, Open in a new tab or window).
- Complete
each of the discussion forums for Part 10 choose topics by midnight
Friday. First post on all chapters by midnight Sunday. Second post by
midnight, Tuesday (Discussions must be finished by midnight, Tuesday).
No late posts accepted.
- Complete Listening Assignment 2; this is your entrance assignment for Week 4.
Discussion Forums, Assignments and Resources <!--class='section'-->
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| | | 26 January - 1 FebruaryWeek 4 F2F: Part 10, conclusion; Part 2: Sub-Saharan Africa
- Questions and Catalyst issues for Week 3
- Reverberations from Part 10: ironing out the kinks
- Andean music communal music-making: panflute (siku) workshop
- Bring Listening Assignment 2 with you to class. It won't be accepted if you're more than five minutes late.
Online: Begin Part 2, Sub-Saharan Africa (Continued Week 5)
- Read Part 2, Chapters 7-12
- Participate in all forum discussions
- Complete Listening Assignment 3--bring to class with you week 5
Forums and Resources: Assignment 3 is a Word document. It will be posted as PDF by Saturday evening if you prefer that format. <!--class='section'-->
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| | | 2 February - 8 FebruaryWeek 5 Face 2 Face: Part 2, Sub Saharan Africa
- Understanding Ewe music: Polyrhythm and the bell as guide rhythm
- Guest Lecture/drum workshop: Mr. Perry Quarshie on Ewe music
- Bring Listening Assignment 3 with you to class.
Online:
- read African American supplement.
Below are video/audio examples of some of the genres and concepts
listed by the author. Please listen as each comes up in the reading
(They're also linked in the pdf).
- Participate in Discussion forum for African American Music
Prepare for exam: Test 1
will consist of approximately 35-40 multiple choice, matching or
true-false questions, along with several short answer and brief essay
questions.
Material for the test will be derived from topics covered in class, as well as the reading and listening assignments.
- Preparation for the reading portion of the test can be aided by the following guides.
- As
an incentive to studying from the guides, credit toward the exam can be
earned by completing the guides and turning them in. You can either
bring a hard-copy to class on the day of the test, or to save paper,
email it to Ron no later than 2:00 pm on the day of the test.
- Remember to bring a pencil and 2052 Scantron form.
Test 1 Study Guides
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| | | 9 February - 15 FebruaryWeek 6
Face 2 Face:
- Exam 1
- Preparing for Part 8, Indonesia
Online:
- Participate in this week's discussion forums below
- Complete Listening Assignment 5
Discussion Forums and Resources <!--class='section'-->
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| | | 16 February - 22 FebruaryWeek 7
Face to Face: - Music of the Javanese Gamelan workshop: learning the colotomic structure and melodic density concepts
- Prepare for Balinese music
Online:- Bali: Read Chapters 50 and 51
- Part 3: The Middle East and North Africa. Read Chapters 14 and 15.
- Participate in the Discussion Forums below. The usual deadlines apply.
- Complete Listening Assignment 6
Discussion Forums and Resources <!--class='section'-->
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| | | 23 February - 1 MarchWeek 8
Face 2 Face:
- The music of Bali
- Popular music in Indonesia
- Part 3: Introduction to "Middle Eastern" music and Culture
Online- Complete reading of Chapters 17-20
- Participate in forums
- Complete Listening Assignment 7
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| | | 2 March - 8 MarchWeek 9 Face to Face Part 3: The Middle East and North Africa
- In-class presentation and performance of Persian santour canceled
- Music of the middle east: Is music a good, or bad thing? history, organizing principles, Western influence, popular music.
Online: Part 6, China
- Participate in forum discussions
- Complete Listening Assignment
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| | | 9 March - 15 MarchWeek 10
Face to Face:
- Part 6, China
- Traditional music forms and instruments
- The cultural revolution
Online:
- Complete Listening Assignment 8, Music in China
- Read Native American Music article (online "book" below)
- Listen to music examples and participate in forums
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| | | 16 March - 22 MarchWeek 11 Face to Face
- Native American Music
- The mosaic of musics in the United States
- Last day to turn in concert reports is Wednesday, December 3
Online
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| | | 23 March - 29 MarchWeek 12:
- Final Exam: 1:45-3:45 Tuesday, Dec 9, Rm AT120
- Last day to turn in extra credit work
- Study Guides are due at the start of the exam. E-mailed guides must be sent before Exam begins.
- Study for test:
The following guides can be very useful in preparing for the exam.
Well-completed guides can be turned in at the start of the final for
two points each toward the score of the test, up to 100%. Late guides
not accepted.
- The test will also cover concepts discussed in class.
- Essay Question preparation sheet
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